Bibliography for Design and Drawing

All books can be found at the Kohler Art library at the call numbers listed. Check your handout: several are on reserve.

NC
730
P29
1983
Abstract Concepts of Drawing by Robert Patterson
  • Clear Book describes drawing concepts. Includes many projects, which are illustrated.
  • N
    7430
    C44
    An Artist’s Notebook, Techniques and Materials by Bernard Chaet
  • Contains a good chapter describing different drawing media illustrated with examples by artists.
  • N
    +85
    +P35
    1990
    Art and Design in Context by Frederick Palmer
  • Thematic Ways to approach design with great color and black and white illustrations. Illustrations span many cultures and media.
  • N
    70
    A68
    Art and Visual Perception by Rudolph Arnheim
  • Thoroughly describes visual perception in human beings. Arnheim demonstrates his points using the disciplines of psychology, optics and history.
  • ND
    1488
    L52
    Color and the Structural Sense by William Libby
  • Discusses several different color theories. Describes the nature of light and the psychological characteristics of color perception.
  • NC
    650
    R58
    4
    Creative Drawing: Point and Line by Ernst Rottger and Dieter Klante
  • Exhaustively describes and illustrates drawing techniques using point and line. Focuses on creative play and includes interesting illustrations of children’s art.
  • NK
    1510
    L38
    Design Basics by David Lauer
  • Very clearly written and very well illustrated with reproductions, although most of them are not in color. Extremely thorough.
  • NC
    703
    +F4
    1962
    Design Fundamentals by C. J. Feldsted
  • Design problems and solutions. A dry book, but with a good chapter on perspective.
  • NC
    730
    E34
    1989
    Drawing on the Right side of the Brain by Betty Edwards
  • Written for "non-artists," this book has good exercises. It demonstrates well the idea that good drawing is based on good seeing.
  • NC
    650
    +T43
    Freehand Drawing - A Primer by Philip Thiel
  • Well-written book detailing ways to draw from observation using only line.
  • ND
    1283
    A34
    1974
    Interaction of Color by Joseph Albers
  • The classic book about how human beings perceive color. Presents different ways to observe color, and how the perception of color changes based on context. Please note the complete book with color illustrations is non-circulating in Kohler Art Library’s Oversize Room 260a (same call number), There is also a CD with accompanying booklet at ND 1489 A42 1994
  • NC
    703
    B67
    Notan: The Dark-Light Principle of Design by Door Bothwell and Marlys Frey
  • A whole book dedicated to negative space.
  • NC
    750
    D3
    1984
    Perspective Drawing Handbook by Joseph Amelio
  • Covers nearly all aspects of perspective that a freehand artist needs.
  • NC
    750
    W27
    1974
    Principles of Perspective by Nigel Walters and John Broham
  • Describes all sorts of systems of perspective, shadows projections, and theories of proportion (golden section, Fibanacci, etc.) illustrated, describes and explained in the language of geometry.
  • ND
    1280
    1813
    1973
    (oversize)
    The Art of Color: The Subjective Experience and Objective Rationale of Color by Johanes Itten
  • Thoroughly illustrated with color charts, and with reproductions of artworks which are analyzed in terms of color theory. Describes color circles and types of color relationships.
  • NC
    730
    C45
    1970
    The Art of Drawing by Bernard Chaet
  • Many drawing assignments. Many illustrations, both of famous artworks and of student responses to drawing assignments.
  • NC
    740
    G6
    1977
    The Art of Responsive drawing by Nathan Goldstein
  • Textbook-like, with many clear exercises, illustrations and reproductions.
  • NC
    730
    N53
    1975
    The Natural Way to Draw by Kimon Nicolaides
  • The (justifiably) classic text for (mostly) life drawing.
  • N
    7430.5
    W39
    Ways of Seeing by John Berger
  • This short book describes how people interpret "high"art, "low" art and other visual data (for example, advertising). Many reproductions and interesting things to say about interpreting art history.

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